Abstract: With the advent of the "post-theory" era, post-Marxism, as a paradigm of cultural studies, is linked with post-modern feminist literary thought, resulting in "new left-wing female aesthetics." Based on Sontag's Deluded Fascism, this paper explores how the New Left Feminists set out from the unique perspective of women. It reveals and criticizes the coincidence between fascist aesthetics politicization and patriarchal consciousness, and points out that the philosophical root of fascist aesthetics of power is the same philosophy that patriarchal centralism praises highly. Sontag's "New Left-Wing Women" aesthetics, in the collision of aesthetics and politics, writes the unique cultural taste and avant-garde aesthetic thoughts of the New Left-Wing. Bringing aesthetics and gender consciousness into the framework of post-Marxism provides new ideas and directions for the development of postmodern feminist philosophy, and has important academic significance for broadening the contemporary vision of Marxism, as well as practical significance for guarding against various new totalitarianism.

Read the full article here:   新左翼女性美学视域下的审美...塔格《迷惑人的法西斯主义》_李岩.pdf